on the day today tonight, ethyl & flori launch their own imprint, e&f records. with dancefloor focus, efr001 guarantees crowd reactions reminiscent of clinton s welcome home after machine-gunning 400 buffalo.

is it balearic? latest offering is from klik records man glass coffee. disclosures is a hypnotic slice of european deep house. laid back electric pianos and marimbas layered over a tight house groove. dance naked the second track follows the same kind of pattern upping the tempo slightly,building slowly towards a deep bass drop and arped string line. again more trademark layers. full on dancefloor action. the b-side brings one of the greatest italian house producers ever to iib. don carlos remix is really something special. a relentless subby double bass sounding b-line relentlessly underpins this delightfully atmospheric excursion into deepness. the coyote remix slows down the pace and dons its flip flops for a little tropical shuffling. iib hitting the spot again.

recommended! third side is the studio project of the analogue cops and panorama bar resident steffi. they are back on restoration records after the highly acclaimed album * unified fields* with the * pandora* e.p., a selection of 3 kicking dancefloor oriented tracks with an acid touch and a sci-fi landscape. solid 909 beats follow through apprehending bass lines and dense fm quirks riding catching male hooks.

mark e s incredible re-edit of janet jacksons r & b junkie track was around in super limited quantities last year and never made it out on export from the us & uk as all copies sold out instantly. marks acclaimed releases on the jisco music & running backlabels have had everyone from giles peterson to moodymann going nuts for his trademark extended and dubbed out takes on classic disco and dancefloor cuts. a seriously in demand record & another all ears sureshot ! repress 2015

sidney charles has delivered us an outstanding ep with a mixture of tracks that span across house and techno that has captured a real feel for what sidney is capable of. each one has its own unique flavour with sidney s production prowess sprinkled over the top. each beat is chunky, groovy and works in a harmonious juxtaposition with the melodies sidney creates. all are dancefloor killers!

after 12 digital releases in 3 years muttis mischkonsum comes up with its first vinyl. its packed with four tracks, two originals from the labelartists max perow and marquez lux on the a-side and two remixes from sebo and eliazar on the b-side, wich are originally from another labelartist, this is heinz. the compilation -muttis mischkonusm- is clearly made for the dancefloor. the sound is deep with a touch of techouse, house and techno.

hardmoon london boss is back with his second ep that glorifies the militant aesthetics of hardmoon london. after his seminal first release, hissman chopped out more tracks for some lasting dancefloor damage. each track uniquely twisted for potent effects in mind, hissman s invisible crowd is absolutely not for the faint of heart.

tiyg brings some serious dancefloor pressure with the delectable ‘in your guts’ vinyl ep from five fold records. remix by ad bourke

as it’s first full length release, love what you feel is proud to present chicanismo, the debut album by santiago salazar. known for his work with underground resistance, ican productions, as well as solo releases on many notable labels, santiago brings his working man’s house and techno into the world in its most pure form on this album. his use of a variety of rhythms and beautiful melodies puts him in the upper echelon of dance music producers today, and the results here are just as satisfying at home as they are in on the dancefloor.

2015 pressing , clear vinyl
one of the best house tracks from aaron carl. new emotional deephouse remixes, part 2 by xdb of late night deep house music classic! produced by aaron carl in 1996 for mike banks (underground resistance) detroit house label soul city. you cannot miss this release. will work on every dancefloor!

key dj support: james ruskin, benjamin damage, perc, tlr, orde meikle/slam, iron curtis, marco zenker, dario zenker, lo shea, rsd, the organ grinder, john heckle, space dimension controller, benji b, randomer, dj deep, dexter, laurent garnier, altered natives, norman nodge, trickski, boys noize, vincent neumann milos has been causing quite a stir of late with his limited handstamped msr & milos recordings projects, gaining support from key players including ben sims, gez varley (lfo), and colin dale. now we look forward to receptive visions, a label focused on no bullsh*t, real dancefloor techno. kicking off with the euphoric yet raw -reconery flight-, razor sharp hats, and massive drops pave the way for gauranteed dancefloor response! flip for -away days-, heads straight down, with a distinct gnarled, ragged intensity and thick pulsating grooves! one to watch!

lab.our 06 features offbeat, dancefloor techno from hermans. hermans (jerry riggs dick diamonds & maxwell church) already have releases out on labels such as run out run, klasse recordings, zodiac44 & extended play, among others. a1 is sweat box rock, an epic stormer that sounds like a techno jam session with alternating beat patterns and dirty keys. b1, dustin tombtones, is an uptempo acid workout destined to move dancefloors. b2 is a remix of sweat box rock by lab.our music bosses basic soul unit and j-ul.

antonio de angelis delivered for his 1st solo ep on children of tomorrow some proper class dancefloor tracks. with 2 amazing remixes from exium & luigi tozzi. don t miss it!!!

as a preemptive strike before soma unleash their specially commissioned compilation, transmissions glasgow, we are proud to bring you one of the highlights from this as two of scotlands biggest techno exports, slam & gary beck, come together for pressure lights. a track celebrating slams long running club night pressure, that has been at the centre of scotlands techno scene for almost 17 years. big room beats and furious snares are the order of the day as the 2 techno titans deliver a monster track designed to destroy any dancefloor.

the next hot white label series comes from a new producer and label of the same name from ireland called xerophkz. as the name would suggest this is techno with purpose and intent designed with the dancefloor in mind. the a-side brings two direct punishing cuts, while the b-side goes deeper balancing out the ep nicely. styled on techno from early 90s while also embracing the new school sound this release offers a unique style and sound not often found in the current climate....
early support from bas mooy, delta funktionen, function, gareth wild, lakker, fran hartnett, sunil sharpe and more.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
olivier boogie returns to the fold with i know you care ep, the follow up to to his provocative first ep, wd27. the spectrum is as wide as one would expect from the famed dutch selector, uptempo and high energy cuts include the swirling speed of come inside and crescendo building loops of i know you care. to balance, we slow down for deep sexiness found between the notes of how high and rollerboogie funk of watch your step.

magic waves brings us the first full-length ep from the enigmatic and secretive jax dax. ‘retribution’ is a dark record that breathes a breath of fresh (rotten) air into techno, re-connecting it with its new beat and rave roots, and presenting the kind of hammers that would surely make the likes of joey beltram or mental overdrive proud while bringing any dancefloor or illegally-occupied warehouse to its knees. watch out for this record, it’s limited and hotter than hell!

uk funk connoisseur duke slammer takes the driving seat on the 303-fueled ‘bangkok skytrain’, with remixes from moscow based simple symmetry and returning artist tony g. inspired by tropical heat, bangkok skytrain utilises 303s, analogue drum machines and mixes in field recordings taken from an excursion to thailand. the result is a heady concoction of warm basslines and humid atmospheres, with a groove reminiscent of early 90’s melodic techno and a cheeky drum track that wouldn’t be out of place on a larry heard record. simple symmetry, the lipski brothers from moscow, slowly rebuild layers of the track like a locomotive building up momentum, and in typical style simple symmetry style finding the perfect vocal sample and pan pipes that help propels you into the foreign lands. before you know it the track is pumping at full chug! tony g’s take goes a bit further afield than the original. a dub rhythm sets the picture in outer-space. hihats stutters like cosmic dust rickashading off the nosecone of the space ship while longing strings take us deep into a distant nebular before the 303 bring the thousands of new galaxies into view. definitely music to listen to in the dark! look out for the secret dancefloor weapon ‘just drums’, an industrial drum machine workout for the freaks!

belgian duo sons of tiki bringing the heat to the dancefloor with their new ep. featuring remixes by malin genie and dorian paic.

after last autumn’s ‘knowledge ep’, héctor oaks returns to key vinyl with four more solid dancefloor fillers of the kind we’re starting to expect from the berlin-based upstart. now several records deep and with his fourth berghain set firmly behind him, these days his sound is about as honed and gratifying as skills from the booth. and ‘kepler 186f’ is the proof.
on the a-side “dissolve” sets its sinews to march on this taut, tough and punchy number. “radial clicles” then reins in the muscle a bit in favour of a more skulking, spectral slow-build. meanwhile on the b-side, “stone storage” sends cool cymbals and crunchy hats on a sinuous, calculated romp. leaving “avoid reality” to close in noisy, bombastic fashion. but watch out—this one’s a bit of a tease.

on the second vinyl of shaded music we have a split release by calli and pagalve. deep and hypnotic techno with refined layers of soundscapes and powerful kickdrum together well crafted percussion opens the vinyl on a side as a *railroad* by calli. a2 is a pounding detroitish remix of pagalves track *acidized* with slovakian techno legend loktibrada on duty. previously released tons of vinyl records on respected labels as tresor, planet rhythm, numb, olga+jozef or palicavonzvreca - loktibrada delivers his first appearance on vinyl since 2011. on other side of the record - 2 tracks by pagalve. *stories* is an addictive piece of music with spacey taste of tb-303 while *reverse 4* is a slamming atmospheric techno track for a prime time dancefloor shaking. from oslo, vilnius and bratislava with love!

special rerelease.. time has come to unleash the fifth cut of the beatjackerz series. 50hz has been one of the key imprint when it comes to serious chicago jacking. each and every release comes with a dancefloor session by numerous well-known players. here are two more legends of jack, jamie bissmire and bam bam. no introduction needed, we are sure. let the beats do the talking and the groove do the jackin! a serious taste of what has been pumping through the heart of chicago for many decades now..! complete with vocal version, instrumental and even an accapella bonus!

mit seinem außergewöhnlichen debütalbum *crafted* beweist madato, furchtlos und über jedes mittelmaß erhaben, seine begabung, die eigenen musikalischen wurzeln mit neuen horizonten fließend zu verschmelzen. in *crafted* laufen die ausdrucksformen aber nicht einfach nur hand in hand nebenher: vielmehr jongliert madato spielend durch instrumente, maschinen und vocals mit elementen aus techno, disco und post-punk. das ergebnis: ein album wie aus einem guss, das bei aller reminiszenz den dancefloor nicht eine sekunde aus den augen verliert.

over the last 12 years, kel mckeown, or kelpe, has carved himself a unique perch in the uk s electronic underground. across several full-lengths, eps and remix projects, his misfit electronica has managed to cohere a staggeringly deep spectrum of influence along the way. a natural son and heir to generation warp and the fathers of krautrock, his pioneering experiments in the early 00s also positioned him as one of many stylistic precursors to the arrival of la s now-sprawling beat scene. much like scene-savants prefuse 73 and dimlite, kelpe has remained an enormously respected stalwart of the fringes, always dabbling variously in sampleheavy beat-craft, oddball ambient, and more recently dancefloor-ready club grub.

now heres something special. a straight up, bona fide summer smash. a massive dancefloor-smashing beast of a tune. daniel dexter continues his long and fruitful relationship with poker flat by channelling the sound of classic clivillés & cole in deeper love, an early 90s house bomb that will send shivers down your spine.

archie pelago is a trio from brooklyn. greg plays cello, zack plays saxophone, and dan plays trumpet and works the knobs. the archie guys did one of the very first releases on mister saturday night records, and we’re very happy to have them back – especially with such brilliant tunes. the a side, clammy customer, takes dozens of twists and turns, weaving in vocals by the always excellent gabriel garzon-montano, and the b side, madame suede nightshade, was apparently made with us in mind (check the initials). both sides are tried and tested on our dancefloor and cut at 45rpm for maximum oomph.

the 5th offering of the label comes from la-based producer sage caswell. sleep quarters ep evokes the paradoxically rushed-yet-laidback duality of his hometown, it s a four-track release equally split between music for the dancefloor and music for dreaming. while the first two tracks strive to balance ambience and dancefloor appeal, the b-side is a total departure into ambient space, with immersive walls of sound and waves of delay

over the past years bézier has seen releases under the dark entries record imprint with the most recent telomeres ep this year. the title track &#30342,,,, or pronounced * mina* translates from japanese to * everyone*. mina is a journey through space with the initial ascent marked by a moody window of time in which uncertainty dominates the mindset of the passengers. once they break through the atmosphere and are proceeding as planned they land on the final destination, an interplanetary discotheque. mina was recorded this year with mark pistel on the helms for mixing and features sf drummer kevin woodruff of tussle fame providing live drumming for the last portion of the track. along with the title track the b-side includes tracks previously released on compilations but appear here for maximum record playing enjoyment. * serengeti drive* which appeared on honey soundsystems earlier hnytrx compilation of queer dancefloor artists is the slow burner of the group. * mysteries of the deep* which appeared in the jacktone cassette compilation of bay area electronic stars is the soundtrack to an underwater expedition. both tracks were recorded, produced and mixed by robert in his home sf studio in 2009.

repress 2015 - those notorious victims of session return to what we like to think of as their spiritual home, if not their physical one, with the brilliant glow in the dark ep, and if you thought solomun and his neon nights were the only day-glow players in town its time to think again as the sv boys slap on the luminous paint and head straight to the dancefloor.

celebrating all that s ear-piercing and techno, p.e.a.r.l. surges through with an emanating soundscape of near, far and leftfield embodiment of energy. following on from the well received ground fault interrupt, p.e.a.r.l. brings his spanish stamina and berlin influence to the table in biblical amounts. abrasive and dancefloor-focused -desolation- is no stranger to the harder sounds of percussion. with a subtle ghost, and ever tense, this track rides through red traffic lights, and begins at the end of your comfort zone, techno at its best. evoking a visceral reaction, -in space- exerts its crude, unearthly series of paranormal techno sound from the get go. a long drawn tool of the trade, comprising of little more than drone and percussion, this gives way to be adapted into any mix in the right hands. -flame on earth- doffs in salutation to the afterparty. with a constant identity of beep and bleeps - continually growing from somewhere from within itself - this track leaves a trail where no path lies. cascading between dark and light, this is a release of effectual techno worthy of any record bag, regardless of your sub-genre preference - a real weapon of profession

if you need that extra magic on the dancefloor, take cab drivers taxi funk for a big portion groove with moving basslines, funkiness and that special flavor which is only available on their tracks. enjoy almost 30 minutes of pure pleasure.

the kachiri remix ep features a varied selection from some of the finest. kicking off with tronik youth who takes the title track and reboots into a harder darker groove, pushing the synths to breaking point. man power ignites a fire on the dancefloor with real bass and spacey chords. ivan smagghe creates an off kilter eclectic groove with a different energy. jamie patton dubs out pink ghost with a twisted and warped groove that takes it to a new cosmos. whilst, kasper bjorke takes us down to the sea with his love vibes and tropical rework of volupia. craig bratley adds his dark synths and toughened grooves for late night dance floors. two mamarrachos lead us on an epic 11 minute journey with their massive pink ghost funk groove.

pretty cool edits of three monster hits. dancefloor anthems for crowds worldwide.

serioulsy violent opening on this ep with a massive deep hardcore shaker 175 bpm. then comes the nuklear waste society and it 170 bpm sustained hard kick and deep acid spirals. a side brings a loud dancefloor middlenight sound! b sides open on a acid breakcore tune, at the crossbreed frontier without passing it for real. too hard for them! too ritch in sound! finishing with mental breed, a superb acid bath of beats and never surrender 4/4 dancefloor effect.

already featuring on two earlier prrukblk samplers and on the digital imprint, it was just a matter of time for his 12 inch solo-debut to come, von grall presents his *no contact ep* on the planet rhythm black imprint. the paris-based producer has been pushing forward his characteristic deep & atmospheric sound over the past two years and has proven to be one of the strong upcoming forces of the label. next to the great claudio prc remix on the a-side, the release features three original tracks ranging from the dancefloor-driven *quadratic* to the trippy *no contact* and even deeper into dark atmospheric sounds on *molecular collison* - making this ep another strong addition to the prrukblk catalog!

the kachiri remix ep features a varied selection from some of the finest. kicking off with tronik youth who takes the title track and reboots into a harder darker groove, pushing the synths to breaking point. man power ignites a fire on the dancefloor with real bass and spacey chords. ivan smagghe creates an off kilter eclectic groove with a different energy. jamie patton dubs out pink ghost with a twisted and warped groove that takes it to a new cosmos. whilst, kasper bjorke takes us down to the sea with his love vibes and tropical rework of volupia. craig bratley adds his dark synths and toughened grooves for late night dance floors. two mamarrachos lead us on an epic 11 minute journey with their massive pink ghost funk groove

sugar - a sweet track, some ones called it deep house, some others found it filtered disco house, anyway it brings flavour on the dancefloor, black or white you decide how much you want on your coffee, giving you a strong message of love, passion, and ecstasy, with the elegance and smooth that makes seducing yourself.

you could not miss the 4/4 kickdrum during the 90s in the rhein-main-area around frankfurt/germany. therefore phonk ds first attempts on house and techno were pretty successful during this period. but his feet being too big for just one dancefloor he developed a taste for funk, disco and hiphop, too. so all these influences kept on working together and - as a result - in 2014 he founded his own label footjob. three records have been released so far, all of them collaborations with friends, and now no.4 is ready to take off - being phonk ds first solo project: expect some heavy phonk to get your foot-job done!

dogma is the new chapter of tensal to his label, 4 tracks passing the classic and contemporary techno with surround sound for the dancefloor, after his last works supported by djs like jeff mills, ben klock, rodhad, oscar mulero, dvs1, etc ... sure that it does not leave anyone indifferent. pressing on white coloured and marbled vinyl.

the new end of dayz *station* by p.e.a.r.l. who deliveries two original tracks, one rhythm centered and the other more mental, both very effective on the dancefloor. includes remixes by manni dee & cws.
support from ben sims, paul mac, deep space helsinki, angel molina, nx1, truss etc...

escapism musique continues the vinyl series with an ep from the greek, hamburg based, dj and producer, boronas (visionquest / suruba / claap). fake romance gathers a mix of feelings, introducing the first original with slow deep sounds and the second one with more cheering and stimulating tones. nikola gala (escada music / ibadan / rekids) and nico puestel (ponsactrilau / soso / pimprinella) revitalize the originals with two ecstatic remixes that complete the ep and make it perfect for the dancefloor. enjoy!

metereze keeps a steady path of releases and this time around it is young star vincent iulian who picks up the ball and delivers four astounding tracks on his four quarters ep. also a native of bacau like dubtil and raresh among others vincent has already released on labels like naural or moment.
started is probably the grooviest of them all and for sure youve heard it before if you’ve been attending the right parties. breaking the boundries between techno and house this is a true masterpiece. on the same side he also shows a more relaxed atmosphere filled with jazzy percussions and easy synths. stors kinda makes you stop and dream for a while.
first on side b we have another dancefloor monster. no more is is driven by a hypnotic synth and infused with enough drums to keep you on the move for the whole 7 minutes. le van a cantar keeps the catchy driving mood but this time iulian explores a more broken path. bubbly voices, snares and a haunted synth emerging now and then make this corner as interesting as the rest.
four quarters is a must have for any serious collector. not to mention if you are a dj.

vinyl part 1 of 2. max essa in the form of the flying men, a collaboration with leo mas & fabrice. -only love- is ready to go in four mixes, arriving on two 12s care of japanese label catune.

theres a delightfully celebratory feel about this debut volume of cititrax tracks, a new 12inch series from minimal wave offshoot cititrax. as beautifully presented as we ve come to expect, tracks volume 1 boasts a quartet of dancefloor-ready smashers from a blend of new faces and label stalwarts. amato (aka the hacker) kicks things off with the glistening ebm funk of physique all restless synth refrains and pounding bottom end before lies affiliate tsuzing go all dark, psychedelic and twisted on the thrillingly intense, acid-flecked king of system. ani go all daf (with a touch of front 242) on the fuzzy and dystopian stomper mutter, before cititrax regulars broken english club delivers a storming chunk of industrial-tinged analogue funk (glass)

nach seinem sensationellen comebackalbum syro in 2014 (inkl. grammy-nominierung!) und der computer controlled ep anfang 2015, knüpft der soundtüftler nun an seine acid-zeiten aus der mitte der 00er jahre an, als er als afx mit der analord-serie auf seinem eigenen rephlex-label den dancefloor unterminierte. die zusammenstellung orphaned deejay selek enthält komplett unveroeffentlichtes material aus den jahren 2006 2008, auf dem das genie seine liebe zu weirden acid-grooves auslebt

brand new excursion into eastern territories curated by zambon of the very polish cut-outs and transatlantyk fame. five obscure disco tracks from late soviet era edited, reworked and remixed into dancefloor bliss by creme de la creme of russian and belarusian producers. among the editors we will find leonid lipelis (known from collaborating with brennan green and his own label thats a steal, here working under the alias beard in dust), moscow based diggers crew shiny boots grodno based edit wunderkind schmoltz, st. petersburgs krjuk and the papers from ekaterinburg. tracks range from balearic pop stomp of alla pugachevas *kafe*, through to the blue-eyed slavic soul of tatiana kochergina, to big band funk full of breaks and even russian disco rap with baby scratches! drink some vodka and taste the disco sound of the soviet union.

berlin based producer & dj frag maddin graces definition with forward a 4 track ep with plenty of groove and power to bring the dancefloor to boil.

the kachiri remix ep features a varied selection from some of the finest. kicking off with tronik youth who takes the title track and reboots into a harder darker groove, pushing the synths to breaking point. man power ignites a fire on the dancefloor with real bass and spacey chords. ivan smagghe creates an off kilter eclectic groove with a different energy. jamie patton dubs out pink ghost with a twisted and warped groove that takes it to a new cosmos. whilst, kasper bjorke takes us down to the sea with his love vibes and tropical rework of volupia. craig bratley adds his dark synths and toughened grooves for late night dance floors. two mamarrachos lead us on an epic 11 minute journey with their massive pink ghost funk groove. kachiri ep is out on digital format on 25th may, with limited edition vinyl out in june on nein records.

kepler is no exception to that approach. a tough groove, backed by an enormous bass drum marches forward, while the looped melody patterns keep the energy flowing. the well-structured break downs and crisp hats will provide maximum impact on a proper dancefloor near you. cosmic vision takes us on an excursion into deep space. the sleek slow burner morphs tripped-out, effect filled pads with funk-driven percussion sounds. going full throttle midway, after a mysterious voice starts leading the way.